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Partial Transcript: INT: What were your schooldays like? What were you interested in and what were your main activities? HB: I was a terrible student. I never passed a school year, and I only made it up to middle school, I never even went to High School and I have a certain aversion for Academia. Segment Synopsis: Babenco describes his first working experience at a film festival, working with his father, which marked his introduction to learning cinematography. Keywords: Belmondo, Jean; Deneuve, Catherine; Employment; First job; First romance; Foolish Heart; Jules & Jim,; Mar del Plata; Movie theaters; Parents; Psychology; Realy, Jean-Claude de; Truffaut, Francois Subjects: Cinema Education Film festivals GPS: Map Coordinates: -34.845362, -63.558253.
Partial Transcript: INT: Well, this European experience resulted in a serious, serious decision to leave Argentina at seventeen. Why did you decide to do that, and how did your family react? HB: See, I went to see. There were two theater groups in Mar del Plata. Segment Synopsis: Babenco describes what influenced him to leave Argentina at the age of 17 and live in various cities in Europe.
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Only after 20 years does he return to South America. Keywords: Belgium; Calle Fuencarral; Corso, Gregory; Ferlinghetti, Lawrence; Genet, Jean; Ginsberg,Allen; Kerouac,Jack; Living in Europe; London, UK; Madrid,Spain; Military service; Miller, Henry; Moving; Paris,France; Personal politics; Rotterdam, Holland; The Glass Menagerie; Theatre group; Williams, Tennessee Subjects: Adulthood Early Career Personal Life.
Partial Transcript: INT: I think it would be great if you could talk about that a bit how it was and what it was like working with actors in the KISS. Which you told me very quickly. Working with William Hurt, for example. HB: Look, it was very traumatic. Segment Synopsis: Babenco gives background on his English language film, 'Kiss of the Spider Woman' regarding the casting and the preparation of the actor William Hurt. Keywords: Altered States; Beckett, Samuel; Characterization; Colombian; Diaz, Chico; Directing; Gardner, Ava; Hurt, William; Julia, Raul; Kiss of the Spider Woman; Method acting; Poetry; Puig, Manuel; References; Rehearsal; Russell, Ken; Stylistic Choices; The Three Musketeers; Transgender; USP; Waiting for Godot; Working with actors Subjects: Acting techniques Casting Collaboration Hyperlink.
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